SUMMARY - Future Economic Models for Artists
Consider the case of Elena, a visual artist based in Vancouver, who has spent the last three years cultivating a following on social media. She recently launched a crowdfunding campaign to fund a new exhibition, viewing this not merely as a fundraising tool but as a means of building a community of patrons who feel invested in her creative journey. For Elena, this model offers autonomy and a direct line of communication with her audience, bypassing traditional gatekeepers. In contrast, consider Marcus, a senior policy advisor at a provincial arts council.